The Equisapien Encounter – Reading Enrique Dussel In Boots Riley’s “Sorry to Bother You”, Part 1 (Conor Ramón Rasmusen)

The following is the first of a two-part installment. This article contains spoilers for the film Sorry to Bother You. When Boots Riley’s film Sorry To Bother You burst into U.S. theatres this past July, reviewers exclaimed that it was “going off the rails” and “crazy” but was absolutely adored by its viewers.…

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Text, Body, and the Ethics of Raymond Federman’s Spectator (Roger Green)

In this post, I argue that postmodern writer, Raymond Federman’s reluctant commitment to text, his necessity to return to and interrupt narrative and to make text, emphasizing its artificial nature, exhibits a Jewish ethical commitment to resist representation.  In doing so, Federman continues longstanding themes in Jewish hermeneutics as well…

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The Deep Framing By Totality (Roger Green)

A variety of competing descriptions of ‘whiteness’ making up racist retreats to Romantic imaginaries of Anglo-Saxon identity go at least as far back as Thomas Jefferson.  Jefferson had imagined himself in an anti-papal tradition of resisting “the Norman yoke,” installed in with the papal backing of the French invasion of…

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