Aesthetics

Critical Conversations 8 – Theory In Action: The Art Of “Doing” Theory With Jonathan Fardy (Announcement)

Participants are invited to join us live in the eighth of a monthly series of “Critical Conversations” (Zoom webinars) with eminent scholars from around the globe. If you are interested in joining us, please contact us by email at editor.thenewpolis@gmail.com. If you have not participated in previous seminars, please provide us with…

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A Gloss On ‘Political Theology’ And The Psychedelic Nature of Recent Political Unrest (Roger Green)

What follows updates some excerpts from my book, A Transatlantic Political Theology of Psychedelic Aesthetics (Palgrave 2019). Related excerpts may also be found with respect to Walter Benjamin in The Journal For Cultural and Religious Theory. Preparing for our Critical Conversation next week on An American Indian Critique of Sovereignty, a colleague…

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Literary Conversations 2 – Jennifer Denrow and Mathias Svalina (Roger Green)

Jennifer Denrow is the author of California (Four Way Books, 2011). Her chapbooks include How We Know it is That (Horse Less Press, 2014) and From California, On (Brave Men Press, 2012). Her writing has appeared in journals such as Gulf Coast, jubilat, Alaska Quarterly Review, Octopus, and Poets.Org. She holds a PhD in English from the…

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“No Women Amongst Us” – Bare Life, Violence, And Gender in Byzantium (Jared Lacy)

 Neil Jordan’s film Byzantium (2012), which tells the story of a pair of mother/daughter vampires on the run from a male-only secret society of vampires known as Brotherhood, has been widely read as a feminist approach to the literary convention of the vampire.  The depiction of female vampires that are neither villainized for…

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The Dialectic Of Enlightenment From A Postsecular Lens, Part 3 (Roger Green)

In my previous post, I took a turn from direct analysis of Dialectic of Enlightenment to engage with David Scott’s writing on tragic disposition in Conscripts of Modernity.  I then focused on Emmanuel Levinas’s early essay, “Reality and Its Shadow.”  I merged Levinas’s pessimism concerning art and his call for a…

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